Hi,
As we all realises, script development is a very essential part of filmmaking. The better you have in script, the film starts on a better ground.
As for us, the versions gave us a very good insight on making our story as simple as we could make t at this point. Sometimes, even if you get things easily, and it might be the correct thing that you need, its important to explore other areas and cross check your achievements.
When we explored many ways to our story, Prakash missed his wife in different ways. Some were subtle and some were on the face. In this way we had two extremes and then we went for getting a balance in our story.
Josh tried to get us in to a senior centre as soon as he could. In parallel we kept working out the script. Working on the story with Katerina, we tried to understand our subject better. Prakash is a guy who is in grief and wants the presence of his wife. He is secluded and has built a wall around him that forces everyone to stay away from him. In this we realised which of our intentions were to lead the story. As a director, I had to decide. That was tough. More days went by and i slowly felt i was starting to know Prakash. I tried loads of concept drawings . It helped me look at him clearly.
Slowly thoughts were changing into visuals and anything that did not warm was taken away.
Things started falling into place. I net my drawings to Katerina and she took it forward and wrote it in prose. And then i used to jump in again. This process kept it going. Prakash and his world was slowly coming into light. It was a great collaboration with Katerina and we had so much fun thinking around Prakash. Josh was always our fresh pair of eyes and he came up with excellent points that we just could not see.
The three pillars (Katerina/Josh/Deb) . we built the foundation.
After a while we had to go to the specifics.So we answers a whole set of questions of Past/ Present and Personality of Prakash. Working on his quirks and his hobbies made sense as it became a very important part for the story. Going from broader beats to smaller beats, the script was coming together.
With Paul and Brian's feedback, we came to a point where it felt that we should go ahead to visuals.
Script writing is excellent and can be so much fun with such collaborative people.
Lesson for me was, create with passion, criticise with no compassion. thats the way to make films.
More to come!
:)
As we all realises, script development is a very essential part of filmmaking. The better you have in script, the film starts on a better ground.
As for us, the versions gave us a very good insight on making our story as simple as we could make t at this point. Sometimes, even if you get things easily, and it might be the correct thing that you need, its important to explore other areas and cross check your achievements.
When we explored many ways to our story, Prakash missed his wife in different ways. Some were subtle and some were on the face. In this way we had two extremes and then we went for getting a balance in our story.
Josh tried to get us in to a senior centre as soon as he could. In parallel we kept working out the script. Working on the story with Katerina, we tried to understand our subject better. Prakash is a guy who is in grief and wants the presence of his wife. He is secluded and has built a wall around him that forces everyone to stay away from him. In this we realised which of our intentions were to lead the story. As a director, I had to decide. That was tough. More days went by and i slowly felt i was starting to know Prakash. I tried loads of concept drawings . It helped me look at him clearly.
Slowly thoughts were changing into visuals and anything that did not warm was taken away.
Things started falling into place. I net my drawings to Katerina and she took it forward and wrote it in prose. And then i used to jump in again. This process kept it going. Prakash and his world was slowly coming into light. It was a great collaboration with Katerina and we had so much fun thinking around Prakash. Josh was always our fresh pair of eyes and he came up with excellent points that we just could not see.
The three pillars (Katerina/Josh/Deb) . we built the foundation.
After a while we had to go to the specifics.So we answers a whole set of questions of Past/ Present and Personality of Prakash. Working on his quirks and his hobbies made sense as it became a very important part for the story. Going from broader beats to smaller beats, the script was coming together.
With Paul and Brian's feedback, we came to a point where it felt that we should go ahead to visuals.
Script writing is excellent and can be so much fun with such collaborative people.
Lesson for me was, create with passion, criticise with no compassion. thats the way to make films.
More to come!
:)







